Miss Sohee spring 2026 couture review.
On the last day of the spring 2026 couture season in Paris, Miss Sohee presented its own feat of fantastic beauty comprised of glittering corset gowns, sheer pink feathered frocks and delicately puffed and draped organza wonders that were ornate celebrations of frilled femininity with a modern bent. Think: sorbet-hued pastel peach, lilac, cantaloupe and grape shades of decadent fabric transformed into wearable art.
Sohee Park’s work evokes a kind of old world glamour—seen without context, it’s exactly the kind of thing a real life princess or royal family member might wear (excluding the super sheer, bust bearing pieces, that might have looked more realistic with a lining, of course).
It’s literally built for events like Le Bal. Using rare techniques from her Korean heritage, Sohee has created her own unique, dreamlike aesthetic. And it gives both the viewer and the wearer the kind of fantastic fantasy one rarely sees in today’s world. Most particularly for brides, which Park has made a core part of her business these last few years.
Models swanned down the runway in the Shangri-La hotel (notably, the same venue as Le Bal) in glittering, decadent confections complete with dazzling beadwork, sculptural feathers, metallic capes, draped sashes and even one life-size taxidermy white peacock. In an industry of ever declining female creative directors, Park stands out for her incredible perspective of modern glamour; most of it done so strikingly through the female gaze.
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